Posts tagged joaquin phoenix
REVIEW: ‘Eddington’ shoots its social commentary from the hip

Aster’s new film is so jam-packed with ideas and observations about 2020 that they spill out of the screenplay, like the blood that eventually soaks the sands of Eddington, New Mexico. It’s not hard to figure out where Aster is going with the movie — the tone is pitch-black satire — but it’s the repetition of the material that becomes its stumbling block. I’ve seen at least one take that this reiteration is intentional, meant to imitate the experience of scrolling through social media and seeing the same faces flood your device with opinions. Even if that’s true, the film would have been better as a tighter, more targeted critique of our preoccupations during a bewildering era.

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REVIEW: Joker: Folie à Deux is a tone-deaf, indecisive slog

Bizarrely, Joker: Folie à Deux seems embarrassed to be a movie about the Joker. Every time it gets close to letting the Joker (Joaquin Phoenix) and Harley Quinn (Lady Gaga) drift into twisted, dream-like musical sequences, the movie does it in a halting, tuneless way, exacerbated by Phoenix’s ear-stabbing vocal performance.

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My Predictions for the 2020 Oscars

There’s still a chance that the Film-Twitter ApprovedTM foreign-language nominee Parasite may act as a dark horse and make history in the Best Picture race, but I’m not putting a huge amount of faith in an Academy that only last year gave the award to Green Book, a (not terrible!) but thoroughly plain choice in a far more accomplished field. With less than one week to go, on to the picks!

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REVIEW: ‘Joker’ finds narrative freedom amid disturbing psychology

Messy psychology aside, Joker behaves in the Batman film universe very much like The Killing Joke does for comics: it doesn’t need to connect to any other stories or characters, and captures just one possible timeline for how the Joker came to be, much like the several different threads that Heath Ledger’s Joker references in The Dark Knight.

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REVIEW: 'You Were Never Really Here' commands you to stay

The problem with a lot of crime films is that they often feel the need to explain multiple backstories to their viewers before going for the pay-off moment, rather than dropping them in to the middle of a crisis and saying, “here, figure it out.” There’s no big build-up here; you see things as Joe sees it, and a lot of it doesn’t make sense right away. Joe’s PTSD is as much a character of its own as Joe, and it’s often manifested through quick cuts to Joe suffocating himself with plastic bags or silently drowning in water

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