REVIEW: Like the real thing, 'Capone' feels fractured and inconclusive

What keeps Trank coming back, however, is his ability to craft some really great scenes. Dark, moody and – at times – self-destructive, it feels like Capone’s material speaks to Trank’s personality and career in a personal way, but much like his other projects, it never quite comes together with an overarching big idea.

Read More
REVIEW: ‘The Trip to Greece’ quests bravely for a series finale

We’ve seen both Steve Coogan and Rob Brydon - or rather, the amplified versions of themselves that they play in this series - struggle with satisfaction in their careers, happiness in their romantic relationships, and bonds with their children. Now The Trip to Greece pits Coogan against one the toughest challenges a man of his age could face: the illness of an elderly parent.

Read More
REVIEW: ‘The Lovebirds’ find some chemistry, but not the right words

However, where Game Night featured a memorable network of supporting characters and some surprising kinks in the plot, everything (even the leads) in The Lovebirds is noticeably underwritten. Other than the onscreen presence of Nanjiani and Rae, the movie doesn’t give us much else to work with.

Read More
REVIEW: 'All Day and a Night' leaves a deeper impression

He’s powerless from the start, and it’s a dangerous fuel to Jahkor’s pride and short fuse, both of which end up consuming him. The film constantly reminds you about institutionalized racism; “they teach you how to survive, but they don’t teach you how to live” is a common refrain.

Read More
REVIEW: 'Extraction' highlights action, the rest is just distraction

t’s a heavy-handed action film, with each cliché delivered to you hand over fist. When we meet Tyler, he casually jumps off a big cliff and into the water, where he stays submerged. He’s drowning himself with the heavy memories of a troubled past, which the film is all too eager to remind you any time there’s a quiet moment.

Read More
Watching ‘The Expanse’ in quarantine: is the show scarier during the COVID-19 pandemic?

There’s plenty of moments that, in the era of COVID-19, seem all too familiar. The characters are hypervigilant around sources of infection, frantically double-checking their suits and disinfecting everything. They soon develop an effective blood-based test for the virus, and in the fourth season, part of an episode revolves around performing community-wide tests to determine if someone’s been exposed.

Read More
TV REVIEW: ‘Tales from the Loop’, where wonder becomes ordinary

A character glimpsed briefly in one episode will eventually get an installment of her own. The high-tech discoveries at the Loop figure into each one, but we’re never left with the sense that the show is trying to sound dire warnings about its viewers’ relationship with their phones or social media.

Read More
TV REVIEW: 'Hunters' just misses the spot

It’s a good-enough premise, but the moral question it posits is far more interesting. There’s a lot of torture, and a lot of it to good end. Important plot information is revealed usually when Nazis are tortured, and when the situation is flipped and the Nazis do the torturing, it’s usually to show the strength of Jews. I don’t think Hunters endorses torture, but simply by tolerating torture we may not be as progressive as we thought, especially given all the scientific advances made during the war years.

Read More
REVIEW: ‘Run This Town’ chases the wrong part of the Rob Ford story

Lewis is not glimpsed in character for an asphyxiating amount of time. Tollman seems to want to save his reveal like Spielberg teased the shark from Jaws. In the meantime, instead of building a tense cat-and-mouse game between Bram (Platt) and the people protecting Ford, the characters stay in their own bubbles, never crossing paths or ever giving the sense that they’re doing anything to outmaneuver each other.

Read More
REVIEW: ‘Sonic the Hedgehog’ is an unambitious jog through 90s family movies

Unlike Cats, we can now look at the main character without skin-crawling existential horror. But in making Sonic look more like he does in the games, it only brings the movie out of the depths of “so bad it’s good” and up to merely “meh”.

Read More
REVIEW: 'Birds of Prey' (and the less-than-fantabulous reception of one critic)

I had all the ingredients for a brisk, 109-minute ride of joy – a wonderful pastel palette, funny characters, well-choreographed action – but I was also thrown into each and every one of its numerous directions at dizzying speeds, and by the end of it I felt like it was, for the most part, a hit.

Read More